Singing Family of the Cumberlands by Jean Ritchie

She seemed to know she was “the” Jean Ritchie, but she was remarkably humble about that – both proud of her heritage and her ability to share it and receptive to meeting new folks who appreciated that heritage. I found her to be shy, quiet, soft-spoken, completely unassuming. That October I got to not only see and hear her perform (complete with “Skin and Bones,” a spooky game song), but I also had the privilege of spending time with her backstage. I had the great fortune of hosting Jean Ritchie at Shepherd University’s Appalachian Heritage Festival in 1997. She sings “play party” game songs, she sings murder ballads, and of course, like any mountain balladeer worth her salt, she has her own version of “Barbary Allen.” In her performances, she both told stories and sang songs, accompanying herself on lap dulcimer. In addition to songs she wrote (such as “The L & N Don’t Stop Here Anymore”), Ritchie took special delight in preserving, performing, and passing down traditional ballads and other old-time songs. Many Americans know Jean Ritchie from her singing and songwriting career. Perhaps more than any other performer of her generation, Jean Ritchie gives us the traditional old-time stories and songs and the story of the lived experience of growing up in a family in the Cumberland Mountains of Eastern Kentucky. If you’re looking for bona fide old-time mountain music – the real deal, before bluegrass, before the Carter Family even – then look no further than Jean Ritchie. This week on StoryWeb: Jean Ritchie’s book Singing Family of the Cumberlands.

Singing Family of the Cumberlands by Jean Ritchie